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Canada

C$
LANDR
REGISTERED

on 26 Feb 2021

Last Applicant/ Owned by

LANDR AUDIO INC.

160, rue St-Viateur EstBureau 809Montréal

QUEBEC

CA

H2T1A8

Serial Number

1883593 filed on 16th Feb 2018

Registration Number

TMA1094486 registered on 26th Feb 2021

Registration expiry Date

26th Feb 2031

Correspondent Address

FASKEN MARTINEAU DUMOULIN LLP

800 rue du Square Victoria, bureau 3500Montréal,

QUEBEC

CA

H4Z1E9

LANDR

Trademark usage description

computer software in the field of sound engineering for mastering and mixing musical sound recordings; computer software in the field of sound enginee Read More

Classification Information


Class [009]
Computer software in the field of sound engineering for mastering and mixing musical sound recordings; Computer software in the field of sound engineering for the restoration of sound recordings, not included in, or relating to, in-vehicle systems; Computer software in the field of sound engineering for the mastering of podcasts, not included in, or relating to, in-vehicle systems; Computer software in the field of sound engineering to allow users to master the soundtrack of user-generated audio-visual content, not included in, or relating to, in-vehicle systems; Computer software that allows users to collaborate with contributors and conduct project management tasks for the purposes of creating songs, producing podcasts, producing soundtracks for user-generated audio-visual content, producing musical recordings, and developing promotional campaigns for users' songs, musical recordings and music albums online; Computer software for hiring contributors for the purposes of creating songs, producing podcasts, producing soundtracks for audiovisual content, producing musical recordings and promoting songs, podcasts, soundtracks of audio-visual content, musical recordings and musical albums; Computer software that allows users to hire contributors, collaborate with contributors and conduct project management tasks for the purposes of producing podcasts, producing soundtracks for user-generated audio-visual content and promoting podcasts, soundtracks of audio-visual content online; Computer software used to automate the distribution of songs, musical recordings and musical albums via online music stores and online streaming services, not included in, or relating to, in-vehicle systems; Computer software used to automate, for users, the distribution of user- generated podcasts, user-generated audio-visual content, via the online music stores, online video channels and online streaming services of others, not included in, or related to, in vehicle systems; Computer software used to automate the promotion of users as artists or podcasters, as well as their own bands, songs, podcasts, audio-visual content, musical recordings and musical albums on social media platforms, not included in, or relating to, in-vehicle systems; Computer software for providing business intelligence and analytics in connection with the marketing, promotion and distribution of artists, bands, songs, musical recordings and musical albums from online music stores and online streaming services, not included in, or relating to, in-vehicle systems; Computer software for providing users with business intelligence and analytics in connection with the online marketing, promotion for others of podcasters, user-generated podcasts, user-generated audio-visual content and distribution of user-generated podcasts, user-generated audio-visual content, from the online music stores, online video channels and online streaming services of others, not included in, or relating to, in-vehicle systems.


Classification kind code

11

Class [035]
Distribution in the form of retail sale of copies of users' songs, musical recordings, musical albums, usergenerated podcasts and user-generated audio-visual content to end users via online music stores, not being destined to, or related to, in-vehicle systems; Developing promotional campaigns for others and developing marketing strategies and marketing concepts for others for recording artists, bands, songs, musical recordings and musical albums, not being destined to, or related to in-vehicle systems.


Classification kind code

11

Class [038]
Providing streaming services via the internet of podcasts and user-generated audio-visual content in connection with the mastering of podcasts and user-generated audio-visual content in the field of sound engineering, all of the foregoing services not being destined to, or related to, in-vehicle systems; Distribution in the form of uploading and transmitting of copies of users' songs, musical recordings, musical albums, usergenerated podcasts and user-generated audio-visual content to the online music stores, online radios, online video channels and online streaming services of others, not being destined to, or related to, in-vehicle systems; Distribution in the form of uploading, transmitting, and streaming of copies of users' songs, musical recordings, musical albums, user-generated podcasts and user-generated audio-visual content online via online music stores, online radios, online video channels and online streaming services, not being destined to, or related to, in-vehicle systems; Providing streaming services via the internet of songs, musical recordings, and musical albums in connection with mastering and mixing of songs, musical recordings, and musical albums in the field of sound engineering, all of the foregoing services not being destined to, or related to in-vehicle systems.


Classification kind code

11

Class [041]
Sound engineering services for mastering and mixing musical recordings, not being destined to, or related to, in-vehicle systems; Sound engineering services for the mastering of the podcasts and audio-visual recordings of others, not being destined to, or related to, in-vehicle systems.


Classification kind code

11

Class [042]
Providing the temporary use of computer software in the field of sound engineering for mastering and mixing musical recordings, not included in, or relating to, in-vehicle systems; Providing the temporary use of computer software in the field of sound engineering for the restoration of sound recordings, not included in, or relating to, in-vehicle systems; Providing the temporary use of computer software in the field of sound engineering for the mastering of podcasts, not included in, or relating to, in-vehicle systems; Providing the temporary use of computer software in the field of sound engineering to allow users to master the soundtrack of user-generated audio-visual recordings, not included in, or relating to, in-vehicle systems; Providing the temporary use of computer software used to automate the promotion of users as podcasters, as well as their own podcasts, audio-visual content on social media platforms, not included in, or relating to, in-vehicle systems; Providing the temporary use of computer software used for providing users with business intelligence and analytics in connection with the online marketing, promotion for others of podcasters, usergenerated podcasts, user-generated audio-visual content and distribution user-generated podcasts, usergenerated audio-visual content, from the online music stores, online radios, online video channels and online streaming services of others; Providing the temporary use of computer software that allows users to hire contributors, collaborate with contributors and conduct project management tasks for purposes of producing podcasts, producing soundtracks for user-generated audio-visual content and promoting podcasts and soundtracks of audio-visual content online; Providing the temporary use of computer software used to automate the distribution of songs, musical recordings and musical albums via online music stores and online streaming services; Providing the temporary use of computer software used to automate, for users, the distribution of user-generated podcasts, user-generated audio-visual content via the online music stores, online video channels and online streaming services of others, not included in, or related to, in vehicle systems; Providing the temporary use of computer software used for providing users with business intelligence and analytics in connection with the online marketing, promotion for others online of artists, bands, songs, musical recordings and musical albums and distribution of songs, musical recordings and musical albums from the online music stores and online streaming services of others; Providing cloud based data storage services via the internet, of podcasts and user-generated audio-visual content in connection with the mastering of podcasts and user-generated audio-visual content in the field of sound engineering, all of the foregoing services not being destined to, or related to, in-vehicle systems; Providing the temporary use of computer software that allows users to collaborate with contributors and conduct project management tasks for purposes of creating songs, producing musical recordings and promoting songs, musical recordings and musical albums online; Providing the temporary use of computer software for hiring contributors, for purposes of creating songs, producing musical recordings and promoting songs, musical recordings and musical albums; Providing the temporary use of computer software used to automate the promotion of users as artists as well as their own bands, songs, musical recordings, and musical albums on social media platforms, not included in, or relating to, in-vehicle systems; Providing cloud based data storage services via the internet, of songs, musical recordings, and musical albums in connection with mastering and mixing of songs, musical recordings, and musical albums in the field of sound engineering, all of the foregoing services not being destined to, or related to in-vehicle systems.


Classification kind code

11

Mark Details


Serial Number

1883593

Mark Type

Trademark

Legal History


Show more

Action TakenStatus
Submitted for opposition 42
on 16th Sept 2020
Advertised
Submitted for opposition 27
on 21st Aug 2020
Approval Notice Sent
Submitted for opposition 26
on 21st Aug 2020
Approved
Submitted for opposition 48
on 26th Feb 2020
Agent Changed
Submitted for opposition 15
on 4th Feb 2020
Correspondence Created
Submitted for opposition 22
on 28th May 2019
Search Recorded
Submitted for opposition 20
on 28th May 2019
Examiner's First Report
Submitted for opposition 31
on 20th Feb 2018
Formalized
Submitted for opposition 30
on 16th Feb 2018
Filed
Submitted for opposition 1
on 16th Feb 2018
Created